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	<title>Vladimir Cruells</title>
	<link>https://vladimircruells.com</link>
	<description>Vladimir Cruells</description>
	<pubDate>Sat, 15 Dec 2018 09:45:17 +0000</pubDate>
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		<title>la macana</title>
				
		<link>http://vladimircruells.com/la-macana</link>

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		<pubDate>Sat, 15 Dec 2018 09:45:17 +0000</pubDate>

		<dc:creator>Vladimir Cruells</dc:creator>
		
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		<description>Vladimir Cruells

La Macana

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 retour</description>
		
		<excerpt>Vladimir Cruells  La Macana  	 	 	  retour</excerpt>

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	<item>
		<title>invitations</title>
				
		<link>http://vladimircruells.com/invitations</link>

		<comments></comments>

		<pubDate>Sat, 15 Dec 2018 09:45:06 +0000</pubDate>

		<dc:creator>Vladimir Cruells</dc:creator>
		
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		<description>Vladimir Cruells

Invitations
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 retour</description>
		
		<excerpt>Vladimir Cruells  Invitations 	 	 	 	 	  retour</excerpt>

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		<title>who / contact</title>
				
		<link>http://vladimircruells.com/who-contact</link>

		<comments></comments>

		<pubDate>Sat, 15 Dec 2018 09:44:56 +0000</pubDate>

		<dc:creator>Vladimir Cruells</dc:creator>
		
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		<description>Vladimir Cruells

Who

Mon travail est sale !Il est entaché, comme les histoires que je manipule ; il est fait parfois très vite, comme on fait, en définitive, un « Sale Boulot ».

Ce thème du « sale boulot » a nourri ma recherche artistique depuis près de 2 ans. Sorte de métaphore du monde contemporain, cette expression, par sa polysémie, offre une prise complexe sur l'actualité. C'est d'ailleurs l'actualité au quotidien qui engage le plus mon travail actuel. Attentif aux petits détails qui font l'histoire, mais aussi à la manière dont on nous conte celle-ci, ma création cherche à détricoter le fil par une proposition graphique décalée.Mon œuvre se veut représentative, pour ne pas oublier, mais aussi pour repenser autrement ce qui nous entoure sans toutefois verser dans la dénonciation. Ce travail ne se veut pas revendicatif, il cherche plutôt à dessiner le sillon d'une mémoire dissidente.

De fait, ma recherche ne s'est pas concentrée sur une technique artistique au détriment d'une autre. Elle s'est bien plus dispersée, entre gravures, peintures, installations, « petites formes », performances et photographies.L'emploi de ces différentes techniques répond à la conviction qu'il ne peut y avoir de manière unilatérale d'appréhender le monde. La gravure est une manière de prendre de la distance face à l'actualité, parce qu'elle exige un temps de création plus calme, plus lent. Les « petites formes », entre sculptures et installations, sont de petits objets symboliques conçus en réaction directe à l'information. La photographie se veut le révélateur et le témoin inépuisables des scènes du quotidien les plus incroyables. Les performances sont une manière d'agir aux côtés des gens, d'accompagner leur quotidien par des mises en perspectives déroutantes. Enfin, les installations se veulent une mise en espace de la complexité du monde.


Contactcontact@lesaleboulot.com


 retour</description>
		
		<excerpt>Vladimir Cruells  Who  Mon travail est sale !Il est entaché, comme les histoires que je manipule ; il est fait parfois très vite, comme on fait, en définitive,...</excerpt>

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		<title>presse du musée s. allende</title>
				
		<link>http://vladimircruells.com/presse-du-musee-s-allende</link>

		<comments></comments>

		<pubDate>Sat, 15 Dec 2018 09:42:32 +0000</pubDate>

		<dc:creator>Vladimir Cruells</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">302829</guid>

		<description>Vladimir Cruells

Presse du Musée S. Allende

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 retour</description>
		
		<excerpt>Vladimir Cruells  Presse du Musée S. Allende  	 	 	 	  retour</excerpt>

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	<item>
		<title>agitez le drapeau de votre gateau</title>
				
		<link>http://vladimircruells.com/agitez-le-drapeau-de-votre-gateau</link>

		<comments></comments>

		<pubDate>Sat, 15 Dec 2018 09:42:23 +0000</pubDate>

		<dc:creator>Vladimir Cruells</dc:creator>
		
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		<description>Vladimir Cruells

Agitez le Drapeau de votre Gateau
Aux Etats-Unis, il est d'usage de manger en famille un cheesecake représentant le drapeau américain à l'occasion de la fête nationale. L'artiste met ici en parallèle les photos souvenir de ces américains, fiers de montrer leur contribution héroïque au patriotisme national.

En los EE.UU. , se acostumbra a comer en familia un cheesecake que representa la bandera Estados Unidos con motivo de la fiesta nacional . El artista pone aquí en paralelo fotos recuerdos de americanos, orgulloso de mostrar su heroica contribución al patriotismo nacional.

&#38;gt;&#38;gt;&#38;gt; voir les images de la performance à Santiago du Chili


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 retour</description>
		
		<excerpt>Vladimir Cruells  Agitez le Drapeau de votre Gateau Aux Etats-Unis, il est d'usage de manger en famille un cheesecake représentant le drapeau américain à...</excerpt>

		<!--<wfw:commentRss></wfw:commentRss>-->

	</item>
		
		
	<item>
		<title>module d’auto-résidence</title>
				
		<link>http://vladimircruells.com/module-d-auto-residence</link>

		<comments></comments>

		<pubDate>Sat, 15 Dec 2018 09:42:13 +0000</pubDate>

		<dc:creator>Vladimir Cruells</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">302827</guid>

		<description>Vladimir Cruells

Module d'Auto-Résidence
« Y si » est un centre énergétique mobile. Accumuler, sélectionner, produire. Investir le territoire et créer de nouvelles connexions. Fait et à faire. Se mettre en risque et susciter des collaborations situées.L’exposition devient une auto-résidence qui permet de travailler, de manière continue, à la compilation d’images d’archives familiales et historiques. Chaque installation est l’occasion de prendre le temps de trouver les modalités de ré-agencement de nos héritages, traversés par les questions politiques,affectives,esthétiques et sociales.La formule est forgée lors d’une semaine en atelier, dans un système d’abri précaire construit à la mesure de nos exigences de recherche. Des lits- tables, qui peuvent se transformer, se ré-agencer et se moduler en fonction des expériences et réalisations en cours. Une table pour classer, des lits pour rêver, des supports de sculpture, des projections documentaires.Chaque installation/résidence est l’occasion de remettre en question les manières d’investir les histoires, les lieux ainsi que le public. Les modules d’auto-résidence nous permettent de camper dans de multiples endroits qui deviennent alors des lieux de vie, de partages, de créations. Un laboratoire ambulant, au contact du public, un espace concret de production et de présentation d’oeuvres, in situ. Tous les lieux deviennent alors des espaces potentiels de création : musée, piscine, boucherie, médiathèque...

&#60;img width="900" height="600" width_o="900" height_o="600" src_o="https://cortex.persona.co/t/original/i/005562b3530662d9cb4ec11809e5bd7c7c09cea3c9d9897458d77154f17e5d1d/68_900-1.jpg" data-mid="602684" border="0" /&#62;
" Y si " es un centro de energía móvil. Acumula , seleccione productos. Invertir territorio y crear nuevas conexiones. Hecho y hecho. Póngase en riesgo y generar ubicados colaboraciones.La exposición se convierte en un auto- permiso de residencia para trabajar de forma continua, compilación imágenes de los archivos históricos de la familia y . Cada instalación es una oportunidad para tomar tiempo encontrar reordenando los términos de nuestra herencia , a través del cual la política, emocional , estético y social. La fórmula se forjó durante un taller de semana en un sistema precario refugio construido para medir nuestras necesidades de investigación . Las mesas , camas, que pueden convertir , reorganizar y ajustar en base a las experiencias y los logros actuales . Una tabla para clasificar , camas para soñar , medios escultura, proyección de documentales .Cada instalación / residencia es una oportunidad para cuestionar las formas de invertir historias , lugares y el público. Módulos de auto - residencia nos permiten acampar en múltiples lugares que se convierten en lugares de la vida , compartir creaciones. Un laboratorio móvil , contacto con el público , un espacio de producción de concreto y la presentación de las obras in situ.Todos los lugares se convierten en áreas potenciales de creación : museo , piscina, carnicero , medios de comunicación ...
&#38;gt;&#38;gt;&#38;gt; voir la vidéo

 retour</description>
		
		<excerpt>Vladimir Cruells  Module d'Auto-Résidence « Y si » est un centre énergétique mobile. Accumuler, sélectionner, produire. Investir le territoire et créer de...</excerpt>

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		<title>livre noir sur fond blanc</title>
				
		<link>http://vladimircruells.com/livre-noir-sur-fond-blanc</link>

		<comments></comments>

		<pubDate>Sat, 15 Dec 2018 09:42:03 +0000</pubDate>

		<dc:creator>Vladimir Cruells</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">302826</guid>

		<description>Vladimir Cruells

Livre Noir sur Fond Blanc
« L’auteur ne doit donc pas se faire l’ethnologue de son peuple, pas plus qu’inventer lui-même une fiction qui serait encore une histoire privée. Il reste à l’auteur la possibilité de se donner des interces seurs, c’est à dire de prendre des personnages réels et non fictifs, mais en les mettant eux-mêmes en état de “ fictionner “ de “ légender” de “fabuler”. L’auteur fait un pas vers ses personnages, mais les personnages font un pas vers l’auteur : double devenir. La fabulation n’est pas un mythe impersonnel, mais ce n’est pas non plus une fiction personnelle : c’est une parole en acte, un acte de parole par lequel le personnage ne cesse de franchir la frontière qui séparerait son affaire privée de la politique, et produit lui-même des énoncés collectifs.&#38;nbsp; » Gilles Deleuze, L’Image-Temps, Editions de Minuit, 1985.

" El autor debe , por tanto, no ser etnólogo de su pueblo , ni inventarse una ficción que todavía sería una historia privada . Queda al autor la oportunidad de dar interces res , es decir, para hacer personajes reales y de ficción , no , sino por ponerse en un estado de " novelar " de " leyenda" de " fantasear " . El autor da un paso hacia sus personajes , pero personajes hacen un paso hacia el autor : Doble convertido .Contar una historia no es un mito impersonal, pero no es una ficción personal: es una palabra en acto, un acto de habla por la que el personaje sigue cruzando la frontera que separaría su negocio privado la política, y el propio producto declaraciones colectivas. »Gilles Deleuze, L’Image-Temps, Editions de Minuit, 1985.

&#60;img width="800" height="541" width_o="800" height_o="541" src_o="https://cortex.persona.co/t/original/i/c244b798ccb8205b78ac4e615046e19cff6f4b5eb10d1f47df9ade133de97954/66_mur-fond-mssa-dan.png" data-mid="602682" border="0" /&#62;&#60;img width="800" height="564" width_o="800" height_o="564" src_o="https://cortex.persona.co/t/original/i/f6d43f56997317a6d1bd3dcd1b5568f0406ad30418a206dbee0ea980094cefd8/66_detail.jpg" data-mid="602681" border="0" /&#62; retour</description>
		
		<excerpt>Vladimir Cruells  Livre Noir sur Fond Blanc « L’auteur ne doit donc pas se faire l’ethnologue de son peuple, pas plus qu’inventer lui-même une fiction qui...</excerpt>

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		<title>lapiz y papel</title>
				
		<link>http://vladimircruells.com/lapiz-y-papel-1</link>

		<comments></comments>

		<pubDate>Sat, 15 Dec 2018 09:41:49 +0000</pubDate>

		<dc:creator>Vladimir Cruells</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">302825</guid>

		<description>Vladimir Cruells

Lapiz Y Papel
Milton Friedmann, économiste fondateur des « Chicago boys » dont les théories ultra-libérales ont servi de paravent aux actes politiques les plus abjects, voit ici son discours patiemment et symboliquement mis en pièces par le geste artistique. « Résister à l'irrésistible », ainsi que l'écrivait le philosophe Daniel Bensaïd.

Milton Friedman , economista , fundador de los "Chicago boys ", cuya teorías ultraliberales han servido de pantalla para los actos políticos más despreciables ,ve aquí pacientemente a que su discurso sea simbólicamente despedazado por el gesto artístico . " Resista a lo irresistible" escribió el filósofo Daniel Bensaïd.

&#60;img width="800" height="531" width_o="800" height_o="531" src_o="https://cortex.persona.co/t/original/i/a3fb314ff3c62b2f7a6141a8d48f054964ad3f2f5b6b94386d60da4916c975c9/59_dsc2848.jpg" data-mid="602223" border="0" /&#62;&#60;img width="800" height="531" width_o="800" height_o="531" src_o="https://cortex.persona.co/t/original/i/4a217772ab3119cb0ff6134568f146ecd58fb6e523882efe41923a8fec8b9256/59_106964657787508688480069014074869365893139n.jpg" data-mid="602227" border="0" /&#62;&#60;img width="800" height="531" width_o="800" height_o="531" src_o="https://cortex.persona.co/t/original/i/cf777068cbbd217b96ddeed06b3b075265f709cc376efea4a36f5c3e2bd4b931/59_18969677787529421811328831901605726717436n.jpg" data-mid="602226" border="0" /&#62;&#60;img width="800" height="531" width_o="800" height_o="531" src_o="https://cortex.persona.co/t/original/i/0789ab451f2b1ca819cbcb8df3e8f6bc7f0c30beee11dacc3368f1e19cc0dc26/59_dsc2794.jpg" data-mid="602225" border="0" /&#62;&#60;img width="800" height="531" width_o="800" height_o="531" src_o="https://cortex.persona.co/t/original/i/b9a81b3d29e8dbe38d7b793e2426494d641166f8f442ea50147a2786875c993a/59_103827327787522588478677601780200504663328n.jpg" data-mid="602224" border="0" /&#62;&#60;img width="800" height="531" width_o="800" height_o="531" src_o="https://cortex.persona.co/t/original/i/f0084dca5c5fdf155f1362c7784bf9c0a491afb07a5f7c5806eadbae6ae0f1f2/59_dsc2817.jpg" data-mid="602222" border="0" /&#62; retour</description>
		
		<excerpt>Vladimir Cruells  Lapiz Y Papel Milton Friedmann, économiste fondateur des « Chicago boys » dont les théories ultra-libérales ont servi de paravent aux actes...</excerpt>

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		<title>vestido magico</title>
				
		<link>http://vladimircruells.com/vestido-magico</link>

		<comments></comments>

		<pubDate>Sat, 15 Dec 2018 09:41:39 +0000</pubDate>

		<dc:creator>Vladimir Cruells</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">302824</guid>

		<description>Vladimir Cruells

Vestido Magico

&#60;img width="800" height="533" width_o="800" height_o="533" src_o="https://cortex.persona.co/t/original/i/d05a9467bc1e5b5a1cc820cdf751938541172c80760429495d2864d01377a6a5/63_vestes-light.jpg" data-mid="602680" border="0" /&#62;Vestido Magico: Vue du musée S. Allende au Chili
Voir les images de la performance

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		<excerpt>Vladimir Cruells  Vestido Magico  Vestido Magico: Vue du musée S. Allende au Chili Voir les images de la performance   retour</excerpt>

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		<title>cité de l’espoir</title>
				
		<link>http://vladimircruells.com/cite-de-l-espoir</link>

		<comments></comments>

		<pubDate>Sat, 15 Dec 2018 09:41:30 +0000</pubDate>

		<dc:creator>Vladimir Cruells</dc:creator>
		
		<category><![CDATA[]]></category>

		<guid isPermaLink="false">302823</guid>

		<description>Vladimir Cruells

Cité de l'Espoir
&#60;img width="801" height="472" width_o="801" height_o="472" src_o="https://cortex.persona.co/t/original/i/bc074741c848bf6497f72df8e1eb425c8fa6b2403d6853aa51a9cc3ddb24b180/64_900-10-site_v2.jpg" data-mid="602679" border="0" /&#62;
700 paires de boucles d'oreilles: 3m x 2m, 2014

 retour</description>
		
		<excerpt>Vladimir Cruells  Cité de l'Espoir  700 paires de boucles d'oreilles: 3m x 2m, 2014   retour</excerpt>

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